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The Segovia Manuscript: A European Musical Repertory in Spain, c.1500 (Studies in Medieval and Renaissance Music) de Wolfgang Fuhrmann,Cristina Urchueguia
Descripción - Reseña del editor The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. . WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUIA is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fabregas, Cristina Urchueguia, Rob C. Wegman Biografía del autor Wolfgang Fuhrmann is Professor of Musicology at Leipzig University; Cristina Urchueguia is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fabregas, Cristina Urchueguia, and Rob C. Wegman
Jstor viewing subject music the segovia manuscript a european musical repertory in spain, c1500 2019 segregating sound inventing folk and pop music in the age of jim crow 2010 the selected correspondence of aaron copland 2006 selected correspondence of charles ives 2007 The segovia manuscript a european musical repertory in the segovia manuscript has received more scholarly attention than any other iberian music manuscript of the renaissance, owing to its abundant international repertoire here i will present new evidence concerning the watermarks, gathering structure, foliation, and two inscriptions in segovia relevant to its compilation process and original ownership this evidence suggests that the The segovia manuscript a european musical repertory in european musical repertory in spain, c1500 publication woodbridge, suffolk, uk rochester, ny the boydell press, an imprint of boydell amp brewer ltd, 2019 series studies in medieval and renaissance music 14799294 20 studies in medieval and renaissance music, 14799294 20 formatdescription
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Detalles del Libro
- Name: The Segovia Manuscript: A European Musical Repertory in Spain, c.1500 (Studies in Medieval and Renaissance Music)
- Autor: Wolfgang Fuhrmann,Cristina Urchueguia
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 15 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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